Wide-format Inkjet



Hewlett Packard has released a new 100 percent knitted polyester fabric for its Latex wide-format printing systems.

The substrate, called HP Light Fabric, is described as being wrinkle-resistant, rub- and scratch-resistant, and soft to the touch for producing high-profile display applications.

HP explains the new Light Fabric has been tested for harmful substances and is certified according to the Oeko-Tex Standard 1001, and is REACH-compliant2, which means the material poses no health risks when used as intended. It is also fabric flame-retardant to B1, M1, and NFPA 701 standards3.

It is designed to allow printing companies to produce lightweight, high-quality banners and display for special events, retail displays and exhibits, among other applications. It is suitable for pack and ship work.

HP describes the materials as presenting an alternative to PVC for banners and displays. HP Light Fabric is available in 42-, 54-, and 60-inch widths.



Agfa Graphics, to extend its portfolio in signage and display markets, has added an automatic cutting plotter for use with its Anapurna and Jeti wide-format printing systems.

“Delivering POP/POS materials is more than just printing on the right substrate,” said Dominiek Arnout, VP for Inkjet at Agfa Graphics. “We are developing and all-integrated approach in which our customers can add an extra in-house finishing step, all driven from Asanti.”

Acorta is designed to finish both rigid and flexible sheet media. The company points to the system's auto recognition system, which automatically localizes the printed objects and the position of the reference points on the cutting table, as well as the substrate’s height.

Acorta features cutting speeds of up to 102 metres per minute with maximum automation and minimum operator intervention. Its 40 vacuum zones are automatically activated where and when needed.

Acorta is available now and will make its worldwide debut at the SGI 2015 tradeshow in Dubai from January 11-13, 2015.

Agfa Graphics’ Jeti Titan HS wide-format-inkjet printing system, which is manufactured in the company’s Mississauga, Ontario, facility, was named as a Product of the Year for its production-size category at last week’s 2014 SGIA Expo in Las Vegas.

Agfa’s Mississauga facility is one of the Belgian company’s three primary facilities for manufacturing inkjet systems. Agfa also builds its entry-level machines in South Korea and mid-range machines in Belgium.

The SGIA’s Product of the Year competition evaluated 139 entries from 68 companies in 25 different categories. The products include equipment and supplies currently on the market that are advancing the specialty imaging industry. Each product was judged during the 2014 SGIA Expo and put on display in the Golden Image Gallery on the Expo floor.

The Canadian-built Jeti Titan HS is a 122 x 79-inch, six-colour plus white (CMYKLcLmWW), flatbed UV printing system (with FTR option). It is equipped with two rows of 1,280-nozzle Ricoh Gen 5 print heads and available with a new primer designed to extend the durability of prints created for outdoor signage.

“We are extremely pleased to have been selected for this prestigious award. The competition was particularly fierce and this award is testament to the hard work of many people at Agfa Graphics all over the world to bring the Jeti Titan HS to market,” said Deborah Hutcheson, Director of Marketing, Agfa Graphics, North America.
 
White printing on the Jeti Titan HS supports different modes including overprint, under-print, spot, under-spot, fill and over-spot for rigids and pre-white for roll media. The Flat-to-roll (FTR) option gives users the ability to print flexible media at the maximum media width. The “S” version of the Jeti Titan has a single row of print heads, but is field upgradeable to add the second row.

During SGIA, Agfa also made the global debut of its new Anapurna M2500i system with an optional automated board feeder (ABF). The Anapurna M2500i is a 98-inch (2.5 m) wide, 6-colour plus white UV-inkjet printing system designed for sign shops, digital printers, photo labs and mid-size graphic screen printers.

It prints on rigid and flexible media including boards/sheets, roll-to-roll and roll-to-sheet. Multiple boards or borderless printing increases productivity even more. The system’s automated board feeder can provide increase productivity by allowing for volume printing of small board sizes (up to five boards can be printed in parallel).

The Anapurna M2500i features six Konica-Minolta KM 1024i Grayscale print heads for colour and two KM 1024i heads for white. It prints at a maximum resolution of 1,440 x 720 dpi and has a maximum speed of 1,238 ft2/hr (115m2/hr).

Durst, during last week’s SGIA Expo in the Las Vegas, introduced the automated Rho 1312 system with what the company describes as “unprecedented media handling,” as well as the Rhotex HS system for soft signage applications.

The 98-inch (250 cm) Rho 1312 prints at speeds of up to 6,600 square feet per hour and provides what Durst describes as a higher gloss finish. The system has been engineered with unique media handling flexibility, particularly with difficult and heat-sensitive media. It uses Durst's Quadro Array print head technology, applying droplets of 12 picolitres.
 
The 1312 also incorporates what Durst brands as Gradual Flow Printing, which includes media transportation advances such as a stronger vacuum, a wider transport belt and improved media registration.

The Rhotex HS reaches production speeds of more than 4,300 square feet per hour (400 m²/hr.), which Durst equates as “the fastest digital soft signage printer on the market.” It has an image resolution of 1,200 dpi and is equipped with Durst´s patented QuadroZ print head technology, which is also utilized in the Durst Kappa series.

With a print width of the 130-inch (330 cm), the Rhotex HS uses water-based dispersion inks, which are odourless and free of volatile organic compounds.

The Graphic Systems division of Fujifilm North America Corporation at SGIA 2014 in late-October plans to demonstrate the Inca Onset R40i, with the Hostert automation system, and the Acuity F.

As Inca Digital’s exclusive worldwide distributor, Fujifilm describes the Onset R40i and Hostert systems integration as a North American debut. Fujifilm previously showcased the R40i in May at FESPA Digital 2014 in Munich, Germany.

The Onset R40i – a UV flatbed machine – uses Fujifilm’s Dimatix Spectra print heads to deliver a 14-picolitre drop size and at 400 square metres per hour. Based on Inca’s Onset Scaleable Architecture platform, the new Onset is available with a range of colour options (CMYK, Lm, Lc and white). Customers can also modify their machines from a 4-colour configuration to five, six or seven colours (up to eight ink channels, including two for white ink). They can also later adopt other key elements for the printer, such as the UV curing lamps, automation, speed modes, electronics and software.

A choice of uni-directional, bi-directional and high-quality print modes can be selected depending on specific job requirements. Onset R40i produces a maximum output resolution of 1,200 dpi on media of up to 3.14 x 1.6 metres (123.6 x 63 inches) and up to 50 millimeters (two inches) thick. It is rated to run at 80 full-bed sheets per hour. The Hostert system includes an automated feeder and alignment table, along with Inca Digital’s proprietary material load/unload system.

Also to be demonstrated at SGIA, the new Acuity F is a UV flatbed printer series that runs a maximum media size of 120 x 98.4 inches. The top machine speed is rated to run at 1,668 square feet per hour. Fujifilm also plans to showcase its Acuity Advance Select running Uvijet KV inks that are designed for the production of decorative print in deep draw thermoforming applications. A CR Clarke 750FLB Vacuum Former will also be a part of live thermoforming demonstrations during the Las Vegas trade show.

Fujifilm will also showcase its Uvistar Pro-8W roll-to-roll inkjet system with new capability to print with light inks (Lk, Lm, Lc) and white. The company explains the printer, available with 4 x 8- and 5 x 10-foot tables, can be converted back to 4-colour work by pushing one button. The Acuity LED 1600 roll printer will also be on the booth, along with Fujifilm’s edition of ColorGATE’s Production Server 8 (PS8) and Pressero Web-to-print software developed by Aleyant Systems.

Mimaki has expanded its JV printer series and CJV cut-and-print series with new JV150 and CJV150 devices, designed for light production signage and graphics, or textile and apparel environments.

The JV150 Series of printers is based on the JV300 Series platform introduced earlier this year. The inkjet system is available in two sizes, including the 54-inch JV150-130 and the 64-inch JV150-160.

The JV150 Series is based piezo technology print heads capable of print speeds of up to 605 square feet per hour. These printers can use either SS21 eco-solvent inks or Sb53 dye-sublimation inks.


Roland, at SGIA 2014 taking place in late-October, will introduce the 64-inch Texart dye-sublimation transfer system available in four- or eight-colour ink configurations. The system will leverage ErgoSoft Roland Edition RIP software.

“Both the printer and our new specially formulated inks are highly innovative,” said Lily Hunter, Roland Product Manager. “Previously, colours sublimated to fabrics could look distorted with dull blacks, missing grays and fuzzy details. The RT-640’s variable droplet technology in combination with Roland Texart dye sublimation ink displays bold, vibrant colours and rich velvety blacks, as well as subtle gradations and fine details.”
 
The Texart RT-640 incorporates a gold-plated, anti-static print head capable of printing seven different droplet sizes. A new feed adjuster, which in combination with a more powerful fan and an included TU-3 take-up system, is designed to provide stability for high-speed printing at up to 351 square feet per hour.
 
Roland’s RT-640 is equipped with the Roland Ink Switching System allowing users to load a fresh pouch without stopping the printer. In four-colour CMYK mode, this system provides two liters per colour and automatically switches to a backup ink pouch when the primary pouch runs out.

Xeikon at Labelexpo Americas 2014, currently underway in Chicago, showcased its new Cheetah press, which the company describes as “the most important advancement for the digital label market in 15 years.” Xeikon plans to make the Cheetah commercially available in 2015, which will be the sixth press model in its portfolio.

Xeikon states the five-colour Cheetah, aimed at self-adhesive/pressure sensitive label printing, is 60 percent faster than any other model in its current press portfolio. It reaches speeds of up to 98 feet per minute (30 metres per minute).

“This increase in speed represents a huge leap forward in digital press technology… the Xeikon Cheetah narrows the gap between digital printing and traditional flexo/offset methods for producing labels,” said Patrick Van Baelen, VP of Marketing at Xeikon.

The Cheetah can handle substrate widths of up to 13 inches (330 mm) with a true print resolution of 1,200 x 3,600 dpi. Xeikon explains it utilizes full rotary printing where the press speeds are independent of the number of colours used and the repeat length of the job. The press can also run Xeikon’s dry toners that meet FDA regulations for food contact and the ability to print opaque white toner in one pass.

In addition to the standard CMYK + White, the fifth station on the Xeikon Cheetah can be used to print gamut expansion colours or security toner. The press also includes automatic inline register and density controls. The imaging width is up to 12.7 inches (322 mm) while the repeat length is variable from zero to 180 feet (zero to 55 metres). Media weights range from 40 gsm to 350 gsm.

During Labelexpo Americas 2014, Xeikon also introduced its new inline Web Varnishing Module, scheduled for a 2015 release, which can apply UV or aqueous varnish on one side of a wide range of substrates. These substrates include self-adhesive label materials, coated papers, unsupported films and coated paper board.

The Web Varnishing Module runs inline with the Xeikon 3000 Series of presses (at full press speeds) and the print roller can be changed to match the repeat or width of the job being printed. In addition to applying the flood or spot varnish, the unit can be upgraded with a UV dryer and/or aqueous dryer.

Canon today launched its Océ PlotWave 500 large-format printing system for producing technical documents.

Featuring Océ’s ClearConnect touchscreen interface, the new system has the ability to print 10 D-size plots per minute with what the company describes as virtually no warm-up delay. The PlotWave 500 system leverages Océ's Radiant Fusing technology, which the company describes as providing quick warm-up when compared to the slow start-up of up to four minutes on conventional printers.

“The Océ PlotWave 500 combines high speed, productive printing, scanning, and copying via our popular Océ Scanner Express II, all in a space-saving single footprint configuration,” stated Junichi Yoshitake, Senior VP and GM, Business Imaging Solutions Group, Canon U.S.A.

PlotWave 500 runs on Océ's universal software suite that looks and works the same across all of the company's wide-format systems. The new printer also features cloud integration for collaboration.

3M is launching its new 3M Scotch-Weld Low Odour Acrylic Adhesives, which feature a new low-odour, non-flammable formulation designed to ease health-and-safety concerns.

3M Scotch-Weld, in concert with its low-odour properties, also features what the company describes as extremely fast cure rates, reaching structural strength in about nine minutes. 3M states this curing speed is almost twice as fast as ordinary acrylic adhesives.

The new product is designed to have higher impact resistance on plastics and metals, with strong shear and peel performance, as well as improved adhesion. It features an 18-month shelf life, with no refrigeration required, which 3M describes as more than double the shelf life of conventional acrylic adhesives, while also saving on storage.

Drytac has added ViziPrint Impress, an optically clear, printable polyester window film with proprietary suction technology, to its line of print media.

ViziPrint Impress is specifically designed for dry installation of graphics on glass surfaces. Its proprietary suction technology, according to Drytac, leaves no residue behind, eliminates bubbling and is unaffected by moisture.

Drytac expects ViziPrint Impress to make an impact with retailers because it can be installed by both professional installers and store employees, applied where traditional adhesive products are not recommended and simplify the change out of graphics.

“What sets ViziPrint Impress apart from other printable window graphic films is that it is adhesive-free and is not a vinyl-based static cling,” stated Steve Broad, Drytac Sales Director Europe. “Since it uses suction, there is no chance of adhesive residue upon removal. Not only can it be used on glass, it can be safely used on electronic equipment, such as tablet displays and TV screens; refrigerators and glass display cases; mirrors; and backlit displays.”

The ultra clear PET film is available in three versions: 4-mil clear UV for UV curable inks, 5-mil clear SEL for solvent, eco solvent, latex, and UV curable inks, and 5-mil white SEL for solvent, eco solvent, latex, and UV curable inks.



At FESPA Digital 2014, taking place in Munich from May 20 to 23, Inca Digital will debut its new Onset R40i UV flatbed printer, which is exclusively distributed worldwide by Fujifilm.

The Onset R40i uses Fujifilm’s Dimatix Spectra print heads to deliver a 14-picolitre drop size and at 400 square metres per hour. Based on Inca’s Onset Scaleable Architecture platform, the new Onset is available with a range of colour options (CMYK, Lm, Lc and white).

Customers will be able to modify their machines from a 4-colour configuration to five, six or seven colours (up to eight ink channels, including two for white ink). They can also later adopt other key elements for the printer, such as the UV curing lamps, automation, speed modes, electronics and software.

A choice of uni-directional, bi-directional and high-quality print modes can be selected depending on specific job requirements. Onset R40i produces a maximum output resolution of 1,200 dpi on media of up to 3.14 x 1.6 metres (123.6 x 63 inches) and up to 50 millimeters (two inches) thick, at the rate of up to 80 full-bed sheets per hour. The new Onset also supports Inca’s Print Run Controller software for variable data printing.

The Onset R40i is compatible with Inca’s flexible automation system, which gives users the choice to operate manually, or with semi or three-quarter automation. At FESPA Digital, visitors are able to see the Onset R40i running with a new full automation system, as a result of an integration between a Hostert automated feeder and alignment table and Inca’s proprietary material loader and take-off system. This combination, according to Inca, allows for continuous printing with a variety of material types and sizes commonly used within the display, POP and sign markets.


Agfa Graphics of Belgium plans to unveil a redesigned wide-format system in the Anapurna M2050i at FESPA Digital 2014, taking place from May 20 to 23 in Munich, Germany. The company expects to make the machine commercially available in the third quarter of this year.

The UV-based hybrid Anapurna M2050i, according to Agfa, provides a productivity increase of up to 75 percent compared to its predecessor, largely based on an electromechanical redesign of the original system. Productivity is also to be increased by features like dual board or borderless printing.

Using a belt transport drive system, the Anapurna M2050i features new print heads for the production of both rigids and roll media, driven by Agfa Asanti software which includes colour management and pre-flighting. The wide-format inkjet system will be available with white printing.


Durst, at last week’s Sign Expo in Orange County, unveiled two UV-based wide-format inkjet systems, including one machine primarily built for high-quality reproduction and a second built for high speeds.

The new 3.2-metre Rho 312R UV is a roll-fed printer that Durst describes as holding imaging quality to rival lambda prints, making it suitable for backlit, fine art and similar high-end reproductions. The Rho 312R is equipped with Durst’s 12-picoliter Quadro Array print-head technology, employing Variodrop and grayscale. Holding 24,000 nozzles, the machine reaches speeds of up to 2,500 square feet per hour, with quality production mode at about 1,300 square feet per hour and backlit mode at 750 square feet per hour.

The new 98-inch-wide Rho P10 250HS UV flatbed system builds upon the company’s existing P10 250 printer by doubling its print-head nozzles and, therefore, also its speed relative to the predecessor. This 10-picoliter printer, using Durst’s Quadro Array technology, can reach speeds of up to capable of printing up to 4,000 square feet per hour.



Mutoh this June plans to release its new 64-inch ValueJet 1626UH wide-format printer, which features UV-LED technology for producing signage and packaging applications.

The 1626UH (with a suggested retail value of around $49,995) includes front and rear flatbed tables, an optional take-up system, and Mutoh’s FlexiPrint DX RIP software. It is a hybrid printer able to print both rolls and rigid substrates up to a half inch thick, using CMYK + white and varnish inks. The two available ink systems include 6 colour (CMYK, White and Varnish) or 4 colour (CMYK x2).

Technology features of the new inkjet system include Intelligent Interweave (i²) to better manage banding and the ValueJet Status Monitor (VSM) app for remote printer monitoring. User can also add options like the SpectroVue VM-10 spectrophotometer for easy profile making and ColorVerify process control system.

Subscription Centre

 
New Subscription
 
Already a Subscriber
 
Customer Service
 
View Digital Magazine Renew

Most Popular

Latest Events

EFI Connect
January 23-26, 2018
Graphics of the Americas
February 22-24, 2018